Contents:
The politics of performing place
Qilaat – The Greenlandic frame drum
From vaigat to The Eskimos – The incipience of popular music in Greenland
Sume and the Greenlandification of popular music
Rasmus Lyberth – World music from Greenland
Inneruulat – Including landscapes in soundscapes
From anti-imperialism to existentialism
Angu and the performance of ‘non-place’
Globalization and the music within Greenland