{"id":612,"date":"2013-12-02T13:30:50","date_gmt":"2013-12-02T13:30:50","guid":{"rendered":"https:\/\/greenlandicpopularmusic.com\/en\/?page_id=612"},"modified":"2014-07-03T12:00:26","modified_gmt":"2014-07-03T12:00:26","slug":"references","status":"publish","type":"page","link":"https:\/\/greenlandicpopularmusic.com\/en\/references\/","title":{"rendered":"References"},"content":{"rendered":"<p>Andersen, Iben and Andreas Otte. 2010. \u201dPopul\u00e6rmusik fra Nuuk &#8211; Forhandling og konstruktion af identitet i popul\u00e6rmusikscenen i Nuuk.\u201d Master\u2019s thesis, University of Copenhagen.<\/p>\n<p>Baily, John. 1994. \u201cThe role of music in the creation of an Afghan national identity, 1923-73.\u201d In <em>Ethnicity, identity and music &#8211; The musical construction of place,<\/em> edited by Martin Stokes, 45-60. Oxford: Berg Publishers.<\/p>\n<p>Bennett, Andy. 2005. \u201cMusic, space and place.\u201d In <em>Music, space and place \u2013 Popular music and cultural identity, <\/em>edited by Sheila Whiteley, Andy Bennett and Stan Hawkins, 2-8. Aldershot: Ashgate Publishing.<\/p>\n<p>Berland, Jody. 2009. <em>North of empire &#8211; Essays on the cultural technologies of space<\/em>. Durham: Duke University Press.<\/p>\n<p>Berthelsen, Per. 2010. <em>Sume \u2013 en gr\u00f8nlandsk rocklegende<\/em>. Nuuk: Milik Publishing.<\/p>\n<p>Bj\u00f8rst, Lill R. 2004. \u201dFra Polka til Popstars.\u201d <em>Tidsskriftet Gr\u00f8nland<\/em> 52(1-2): 11-20.<\/p>\n<p>Bj\u00f8rst, Lill R. 2008. <em>En anden verden &#8211; Fordomme og stereotyper om Gr\u00f8nland og Arktis<\/em>. Copenhagen: Forlaget BIOS.<\/p>\n<p>Bohlman, Philip V. 2011. <em>Music, nationalism, and the making of the New Europe<\/em>. 2nd ed. New York: Routledge.<\/p>\n<p>Brusila, Johannes. 2003. <em>Local music, not from here &#8211; The discourse of world music examined through three Zimbabwean case studies: The Bhundu Boys, Virginia Mukwesha and Sunduza<\/em>. Helsinki: Finnish Society for Ethnomusicology.<\/p>\n<p>Cohen, Sara. 1994. \u201cIdentity, place and the &#8216;Liverpool sound&#8217;.\u201d In <em>Ethnicity, identity and music &#8211; the musical construction of place, <\/em>edited by Martin Stokes, 117-134. Oxford: Berg Publishers.<\/p>\n<p>Cohen, Sara 1999. \u201cScenes.\u201d In <em>Key terms in popular music and culture<\/em>, edited by Bruce Horner and Thomas Swiss, 239-250. Malden: Blackwell Publishing.<\/p>\n<p>Connell, John and Chris Gibson. 2003. <em>Sound tracks &#8211; Popular music, identity and place<\/em>. London: Routledge.<\/p>\n<p>DIIS &#8211; Dansk Institut for International Studier. 2007. <em>Afvikling af Gr\u00f8nlands kolonistatus 1945-54, En historisk udredning<\/em>. Copenhagen: DIIS.<\/p>\n<p>Fogsgaard, B\u00f8rge. 2013. \u201dDansk hvalfangst i Nordatlanten.\u201d <a href=\"http:\/\/www.fogsgaard.org\">www.fogsgaard.org<\/a>. <a href=\"http:\/\/www.fogsgaard.org\/Hvalfangst.pdf\">http:\/\/www.fogsgaard.org\/Hvalfangst.pdf<\/a>. (accessed 16 January 2014).<\/p>\n<p>Forchhammer, S\u00f8ren. 2001. \u201dDet danske, det gr\u00f8nlandske og den store urbanisering.\u201d <em>Tidsskriftet Gr\u00f8nland<\/em> 49(4-5): 172-176.<\/p>\n<p>F\u00e6gteborg, Mads. 2009. \u201dHans Egede.\u201d In <em>Gr\u00f8nland &#8211; en refleksiv udfordring<\/em> edited by Ole H\u00f8iris, 39-74. \u00c5rhus: \u00c5rhus Universitetsforlag.<\/p>\n<p>Gad, Finn. 1954. \u201dHovedtr\u00e6k af Gr\u00f8nlands historie &#8211; ca. 1500-1782.\u201d <em>Tidsskriftet Gr\u00f8nland<\/em>, 2(4): 156-160.<\/p>\n<p>Gaviria, Patricia. 2013. \u201cInuit modernity in postsecondary education policies from Nunavut and Greenland.\u201d In <em>Modernization and Heritage: how to combine the two in Inuit societies<\/em> edited by Karen Langg\u00e5rd og Kennet. Pedersen, 57-78. Nuuk: Ilisimatusarfik\/Forlaget Atuagkat.<\/p>\n<p>Gr\u00f8nnow, Bjarne. 2012. De \u00e6ldste trommer fundet p\u00e5 Gr\u00f8nland. Videnskab.dk, <a href=\"http:\/\/videnskab.dk\/kultur-samfund\/de-aeldste-trommer-fundet-pa-gronland\">http:\/\/videnskab.dk\/kultur-samfund\/de-aeldste-trommer-fundet-pa-gronland<\/a> (accessed 26 June 2014).<\/p>\n<p>Hastrup, Kirsten. 2003. \u201dIntroduktion &#8211; Den antropologiske videnskab.\u201d In <em>Ind i verden &#8211; En grundbog i antropologisk metode<\/em> edited by Kirsten Hastrup, 9-34. Copenhagen: Hans Reitzels Forlag.<\/p>\n<p>Hauser, Michael. 1992. <em>Traditional Greenlandic music<\/em>. Copenhagen: Kragen\/ULO.<\/p>\n<p>Heinrich, Jens. 2012. <em>Eske Brun og det moderne Gr\u00f8nlands tilblivelse<\/em>. Nuuk: Forlaget Atuagkat.<\/p>\n<p>Hobsbawm, Eric. 1983. \u201cIntroduction: Inventing traditions.\u201d In <em>The invention of tradition,<\/em> edited by Eric Hobsbawm and Terence Ranger, 1-14. Cambridge: Cambridge University Press.<\/p>\n<p>Holton, Robert J. 2009. <em>Cosmopolitanism &#8211; New thinking and new directions<\/em>. New York: Palgrave Macmillan.<\/p>\n<p>Hucker, Dave and Wolfgang Spahr. 1996. \u201cPolka&#8217;s influential trip around the world.\u201d <em>Billboard<\/em>, 108(31): 1-2.<\/p>\n<p>Janussen, Jakob. 1995. \u201dF\u00f8destedskriteriet &#8211; og hjemmestyrets ans\u00e6ttelsespolitik.\u201d <em>Tidsskriftet Gr\u00f8nland<\/em> 43(2): 73-80.<\/p>\n<p>Johansen, Brian A. 1991.\u201dMusikken i Gr\u00f8nland &#8211; Hvorfra, hvorhen?\u201d Master\u2019s thesis, Aalborg University.<\/p>\n<p>Johansen, Brian A. 2001. \u201dContemporary Greenlandic music.\u201d<em> \u00c9tudes Inuit Studies<\/em> 25(1-2): 169-190.<\/p>\n<p>Kahn-Harris, Keith. 2007. \u201c&#8217;Roots&#8217;? The relationship between the global and the local within the extreme metal scene.\u201d In <em>The popular music studies reader,<\/em> edited by Andy Benett, Barry Shank, and Jason Toynbee, 216-223. New York: Routledge<\/p>\n<p>Krims, Adam. 2012. \u201cMusic, space, and place &#8211; The geography of music.\u201d In <em>The cultural study of music &#8211; A critical introduction,<\/em> edited by Martin Clayton, Herbert Trevor and Richard Middleton, 140-148. New York: Routledge.<\/p>\n<p>Langg\u00e5rd, Karen. 2004. \u201dLitteraturen er folkets \u00f8jne, \u00f8rer og mund.\u201d In <em>Gr\u00f8nl\u00e6nder og global<\/em>, edited by Birgitte Jacobsen, Birgit Kleist Pedersen, Karen Langg\u00e5rd and Jette Rygaard, 95-162. Nuuk: Ilisimatusarfik.<\/p>\n<p>Langg\u00e5rd, Karen. 2011. \u201dGreenlandic Literature from Colonial Times to Self-Government.\u201d In <em>From Oral Tradition to Rap,<\/em> edited by Karen Langg\u00e5rd and Kirsten Thisted, 119-188. Nuuk: Ilisimatusarfik\/Forlaget Atuagkat.<\/p>\n<p>Langg\u00e5rd, Karen. 2013. \u201cModernity without heritage? Poems from the last six years in modern Greenlandic literature written in Kalaallisut.\u201d In <em>Modernization and heritage: How to combine the two in Inuit societies<\/em>, edited by Karen Langg\u00e5rd and Kennet Pedersen, 79-111. Nuuk: Ilisimatusarfik\/Forlaget Atuagkat.<\/p>\n<p>Langg\u00e5rd, Per. 1990. \u201dGr\u00f8nlandsk litteratur i 70-erne og 80-erne.\u201d <em>Nordica<\/em>, 7: 15-37.<\/p>\n<p>Larsen, Camilla Darling. 1997.\u201dGr\u00f8nlandske stemmer.\u201d Master\u2019s thesis, Aarhus University.<\/p>\n<p>Larsen, Finn B. 1982.\u201cRegler og konfliktbearbejdningsmetoder hos de gr\u00f8nlandske eskimoer i den f\u00f8rkoloniale periode.\u201d Master\u2019s thesis, Aarhus University.<\/p>\n<p>Lynge, Birgit. 1981. <em>Rytmisk musik i Gr\u00f8nland<\/em>. Aarhus: Publimus.<\/p>\n<p>Mach, Zdzislaw. 1994.\u201d National Anthems: The case of Chopin as a national composer.\u201d In <em>Ethnicity, identity and music &#8211; The musical construction of place<\/em>, edited by Martin Stokes, 61-70. Oxford: Berg Publishers.<\/p>\n<p>Massey, Doreen. 1994. <em>Space, place and gender<\/em>. Minneapolis: University of Minnesota Press.<\/p>\n<p>Merriam, Alan P. 1964. <em>The anthropology of music<\/em>. Evanston: Northwestern University Press.<\/p>\n<p>Meyrowitz, Joshua. 1985. <em>No sense of place &#8211; The impact of electronic media on social behavior<\/em>. Oxford: Oxford University Press.<\/p>\n<p>Miller, Matt. 2012. \u201cRap&#8217;s dirty south &#8211; From subculture to pop culture.\u201d In <em>That&#8217;s the joint &#8211; The hip-hop studies reader<\/em>, edited by Murray Forman and Mark Anthony Neal, 270-293. 2nd ed. New York: Routledge.<\/p>\n<p>M\u00f8lgaard, Noah. 2011. \u201cInneruulat giver en stor buket musik.\u201dwww.knr.gl, <a href=\"http:\/\/www.knr.gl\/kl\/node\/93485\">http:\/\/www.knr.gl\/kl\/node\/93485<\/a> (accessed 26 June 2014).<\/p>\n<p>Oakes, Timothy S. and Patricia L. Price 2008. \u201cIntroduction.\u201d In <em>The cultural geography reader,<\/em> edited by Timothy S. Oakes and Patricia L. Price, 1-10. New York: Routledge.<\/p>\n<p>Olsen, Kristian (Aaju). 1980. <em>Illoqarfimmi. I byen<\/em>. Vedb\u00e6k: Forlaget Kragestedet.<\/p>\n<p>Petersen, H. C. and Michael Hauser. 2006. <em>Kalaallit inngerutinik atuinerat, Trommesang-traditionen i Gr\u00f8nland, The drum song tradition in Greenland<\/em>. Nuuk: Forlaget Atuagkat.<\/p>\n<p>Poulsen, Jan Opstrup. 2004. \u201cAngu &#8211; Angu.\u201d gaffa.dk. <a href=\"http:\/\/gaffa.dk\/anmeldelse\/20865\">http:\/\/gaffa.dk\/anmeldelse\/20865<\/a> (accessed 26 June 2014).<\/p>\n<p>Poulsen, Jan Opstrup. 2009. \u201cAngu &#8211; Burning blue skies.\u201d gaffa.dk. <a href=\"http:\/\/gaffa.dk\/anmeldelse\/31554\">http:\/\/gaffa.dk\/anmeldelse\/31554<\/a>. (accessed 26 June 2014).<\/p>\n<p>Regev, Motti. 2013. <em>Pop-rock music<\/em>. Cambridge: Polity Press.<\/p>\n<p>Ringsted, Poul. 1997. \u201dDands er gr\u00f8nl\u00e6ndernes kj\u00e6reste forlystelse: En artikel om den gr\u00f8nlandske folkedans &#8211; kalattuut.\u201d <em>Tidsskriftet Gr\u00f8nland<\/em> 45(2): 37-92.<\/p>\n<p>Robertson, Roland. 1995. \u201cGlocalization: Time-space and homogeneity-heterogeneity.\u201d In <em>Global Modernities<\/em>, edited by Mike Featherstone, Scott Lash and Roland Robertson, 25-44. London: Sage Publications.<\/p>\n<p>Rygaard, Jette. 2010. \u201c&#8217;Proxemic Nuuk&#8217;: Town and urban life with Nuuk as example.\u201d In <em>Cultural and social research in Greenland &#8211; Selected essays 1992-2010, <\/em>edited by Karen Langg\u00e5rd, Flemming Nielsen, Birgit Kleist Pedersen, Kennet Pedersen, &amp; Jette Rygaard, 249-302. Nuuk: Ilisimatusarfik\/Forlaget Atuagkat.<\/p>\n<p>Smith, Anthony D. 1983. <em>Theories of nationalism<\/em>. New York: Holmes &amp; Meier Publishers.<\/p>\n<p>Stokes, Martin. 1994. \u201cIntroduction: Ethnicity, identity and music.\u201d In <em>Ethnicity, identity and music &#8211; the musical construction of place,<\/em> edited by Martin Stokes, 1-28. Oxford: Berg Publishers.<\/p>\n<p>Stokes, Martin. 2004. \u201cMusic and the global order.\u201d <em>Annual Review of Anthropology<\/em> 33: 47-72.<\/p>\n<p>S\u00f8rensen, Axel K. 1995. \u201cGreenland: From colony to Home Rule.\u201d In <em>Ethnicity and nation building in the Nordic World<\/em>, edited by Sven T\u00e4gil, 85-105. London: Hurst &amp; Company.<\/p>\n<p>S\u00f8rensen, Bo W., Hans Lange and Hulda Z. Holm. 2003. \u201dNuuk: Fremmedg\u00f8relse i storbyen?\u201d <em>Tidsskriftet Gr\u00f8nland<\/em> 51(1): 25-40.<\/p>\n<p>S\u00f8rensen, S\u00f8ren P. 2013. <em>Qullissat &#8211; Byen der ikke ville d\u00f8<\/em>. Frederiksberg: Frydenlund.<\/p>\n<p>S\u00f8rensen, Vivi. 2014. Den gr\u00f8nlandske tromme diskriminerer ikke. Sermitsiaq.ag. <a href=\"http:\/\/sermitsiaq.ag\/groenlandske-tromme-diskriminerer-ikke\">http:\/\/sermitsiaq.ag\/groenlandske-tromme-diskriminerer-ikke<\/a>(accessed 26 June 2014).<\/p>\n<p>Thisted, Kirsten. 1992. \u201cSuicide as an Interpretation of Modern Life.\u201d In <em>Minority Languages &#8211; The Scandinavian Experience<\/em>, edited by Gunilla Blom, 141-153. Oslo: Nordic Language Secretariat.<\/p>\n<p>Thisted, Kirsten. 2002. \u201dGr\u00f8nlandske relationer &#8211; om gr\u00f8nlandsk etnicitet i dansk\/gr\u00f8nlandsk diskurs.\u201d In <em>Transkulturel psykiatri<\/em>, edited by Fransisco Alberdi, Christian N\u00f8rregaard, Marianne Kastrup and Majken Kristensen, 87-111. Copenhagen: Hans Reitzels Forlag.<\/p>\n<p>Thisted, Kirsten. 2004. \u201dTamme, fromme, evrob\u00e6iske &#8211; William Thalbitzers dagb\u00f8ger fra \u00d8stgr\u00f8nland 1905-06.\u201d <em>Tidsskriftet Gr\u00f8nland<\/em> 7(52): 260-278.<\/p>\n<p>Thisted, Kirsten. 2011. \u201dNationbuilding &#8211; Nationbranding: Identitetspositioner og tilh\u00f8rsforhold under det selvstyrede Gr\u00f8nland.\u201d In <em>Fra vild til verdensborger<\/em>, edited by Ole H\u00f8iris and Ole Marquardt, 547-584. Aarhus: Aarhus University Press.<\/p>\n<p>Tsing, Anna L. 2005. <em>Friction &#8211; An ethnography of global connection<\/em>. Princeton: Princeton University Press.<\/p>\n<p>Ullerup, J\u00f8rgen. 2006. \u201cInuitrap bryder alle tabuer.\u201d viden.jp.dk . <a href=\"http:\/\/viden.jp.dk\/galathea\/multimedie\/billedserier\/default.asp?cid=14185\">http:\/\/viden.jp.dk\/galathea\/multimedie\/billedserier\/default.asp?cid=14185<\/a> (accessed 26 June 2014).<\/p>\n<p>Wilde, Oscar. 1982. \u201cThe decay of lying.\u201d In <em>The artist as critic &#8211; Critical writings of Oscar Wilde<\/em>, edited by Richard Ellmann, 290-320. Chicago: University of Chicago Press.<\/p>\n<p>Wilhjelm, Henrik. 2000. \u201dBr\u00f8dremissionens overgivelse &#8211; Udviklingen i og omkring br\u00f8dremissionen i Gr\u00f8nland 1850-1900.\u201d <em>Tidsskriftet Gr\u00f8nland<\/em> 48(6): 203-244.<\/p>\n<p>Wilhjelm, Henrik. 2008. <em>De nye gr\u00f8nl\u00e6ndere<\/em>. Charlottenlund: Det gr\u00f8nlandske selskab.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Andersen, Iben and Andreas Otte. 2010. \u201dPopul\u00e6rmusik fra Nuuk &#8211; Forhandling og konstruktion af identitet i popul\u00e6rmusikscenen i Nuuk.\u201d Master\u2019s thesis, University of Copenhagen. Baily, John. 1994. \u201cThe role of music in the creation of an Afghan national identity, 1923-73.\u201d In Ethnicity, identity and music &#8211; The musical construction of place, edited by Martin Stokes, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/greenlandicpopularmusic.com\/en\/wp-json\/wp\/v2\/pages\/612"}],"collection":[{"href":"https:\/\/greenlandicpopularmusic.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/greenlandicpopularmusic.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/greenlandicpopularmusic.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/greenlandicpopularmusic.com\/en\/wp-json\/wp\/v2\/comments?post=612"}],"version-history":[{"count":4,"href":"https:\/\/greenlandicpopularmusic.com\/en\/wp-json\/wp\/v2\/pages\/612\/revisions"}],"predecessor-version":[{"id":834,"href":"https:\/\/greenlandicpopularmusic.com\/en\/wp-json\/wp\/v2\/pages\/612\/revisions\/834"}],"wp:attachment":[{"href":"https:\/\/greenlandicpopularmusic.com\/en\/wp-json\/wp\/v2\/media?parent=612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}